How posterity will laugh at us, one way or other! If half a dozen break their necks, and balloonism is exploded, we shall be called fools for having imagined it could be brought to use: if it should be turned to account, we shall be ridiculed for having doubted.
— Horace Walpole, letter to Horace Mann, 24 June 1785.
The best way of travel, however, if you aren't in any hurry at all, if you don't care where you are going, if you don't like to use your legs, if you don't want to be annoyed at all by any choice of directions, is in a balloon. In a balloon, you can decide only when to start, and usually when to stop. The rest is left entirely to nature.
— William Pene du Bois, The Twenty-one Balloons.
We now know a method of mounting into the air, and I think we are not likely to know more. The vehicles can serve no use till we can guide them; and they can gratify no curiosity till we mount with them to greater heights than we can reach without; till we rise above the tops of the highest mountains, which we have yet not done. We know the state of the air in all its regions, to the top of Teneriffe, and, therefore, learn nothing from those who navigate a balloon below the clouds. The first experiment, however, was bold, and deserves applause and reward. But since it has been performed, and its event is known, I had rather now find a medicine that can ease an asthma.
— Dr. Samuel Johnson, in a letter to Dr. Brocklesby, 6 October 1784.
We have had bird’s-eye views seen by mind’s eye imperfectly. Now we will have nothing less than the tracings of nature itself, reflected on the plate.
— Gaspard Felix Tounachon (known as 'Nadar'), regards capturing a daguerreotype (an early form of phtography) of the valley of Bièvre, France, from a balloon. 1858.
Build lightness in.
— Alberto Santos-Dumont.
Suddenly the wind ceased. The air seemed motionless around us. We were off, going at the speed of the air-current in which we now lived and moved. Indeed, for us there was no more wind; and this is the first great fact of spherical ballooning. Infinitely gentle is this unfelt motion forward and upward. The illusion is complete: it seems not to be the balloon that moves, but the earth that sinks down and away...
Villages and woods, meadows and chateaux, pass across the moving scene, out of which the whistling of locomotives throws sharp notes. These faint, piercing sounds, together with the yelping and barking of dogs, are the only noises that reach one through the depths of the upper air. The human voice cannot mount up into these boundless solitudes. Human beings look like ants along the white lines that are highways; and the rows of houses look like children's playthings."
— Alberto Santos-Dumont, My Air-Ships, 1904.
The balloon seems to stand still in the air while the earth flies past underneath.
— Alberto Santos-Dumont.
There's something in a flying horse,
— William Wordsworth, Peter Bell, Prologue. Stanza 1.
Previous to this time I had never even a balloon except from a distance. Being interested in their construction, I was about to institute a thorough examination of all its parts, when the aeronaut announced that all was ready. He inquired whether I desired to go up alone, or he should accompany me. My desire, if frankly expressed, would have been not to go up at all; but if I was to go, company was certainly desirable. With an attempt at indifference, I intimated that he might go along.
— George Armstrong Custer, while a Captain in the cavalry. Regards order to go aloft in one of Thaddeus Lowe's balloons to observe the movements of the Confederate forces. Quoted in Son of the Morning Star. 1862.
As we were returning to the inn we beheld something floating in the ample field of golden evening sky, above the chalk cliffs and the trees that grow along their summit. It was too high up, too large, and too steady for a kite; and, as it was dark, it could not be a star. . . The village was dotted with people with their heads in air; and the children were in a bustle all along the street and far up the straight road that climbs the hill, where we could still see them running in loose knots. It was a balloon, we learned, which had left St. Quentin at half past five that evening. Mighty composedly the majority of the grown people took it. But we were English, and were soon running up the hill with the best. Being travelers ourselves in a small way, we would fain have seen these other travelers alight.
The spectacle was over by the time we gained the top of the hill. All the gold had withered out of the sky, and the balloon had disappeared. Whither? I ask myself; caught up into the seventh heaven? or come safely to land somewhere in that blue uneven distance, into which the roadway dipped and melted before our eyes? Probably the aeronauts were already warming themselves at a farm chimney, for they say it is cold in these unhomely regions of the air. The night fell swiftly. Roadside trees and disappointed sight-seers, returning through the meadows, stood out in black against a margin of low, red sunset. It was cheerfully to face the other way, and so down the hill we went, with a full Moon, the color of a melon, swinging high above the wooded valley, and the white cliffs behind us faintly reddened by the fire of the chalk kilns.
— Robert Louis Stevenson, from his travelogue of a canoe trip from Antwerp to Paris, written when he was 25, An Inland Voyage, 1878.
I have known today a magnificent intoxication. I have learnt how it feels to be a bird. I have flown. Yes I have flown. I am still astonished at it, still deeply moved.
— Le Figaro, 1908.
Like a shamanistic language, flight speaks in different
idioms. We can blast rockets to the stars. We can race across the sky on
fixed wings. Ballooning appeals because it is more languorous and
low-tech; it's adventure in an antique mood.
— Diane Ackerman, 'Traveling Light,' op-ed in the New York Times, 11 January 1997.
Above me I saw something I did not believe at first. Well above the haze layer of the earth's atmosphere were additonal faint thin bands of blue, sharply etched against the dark sky. They hovered over the earth like a succession of halos.
— David G. Simons, first balloon ride above 100,000 feet, 'A Journey No Man Had Taken,' LIFE magazine, 2 September 1957.
We're at 103,000 feet. Looking out over a very beautiful, beautiful world . . . a hostile sky. As you look up the sky looks beautiful but hostile. As you sit here you realize that Man will never conquer space. He will learn to live with it, but he will never conquer it. Can see for over 400 miles. Beneath me I can see the clouds. . . . They are beautiful . . . looking through my mirror the sky is absolutely black. Void of anything. . . . I can see the beautiful blue of the sky and above that it goes into a deep, deep, dark, indescribable blue which no artist can ever duplicate. It's fantastic.
— Joe Kittinger, in the Excelsior III balloon over the western edge of the Tularose Basin, 16 August 1960.
Half the art of ballooning is to make your crashes so gentle that you can fool yourself into calling them landings.
— Richard Branson, pilot and founder of Virgin Atlantic and Virgin Galactic. In his book Reach For The Skies, 2011.
The winds have welcomed you with softness,
— Anon, known as 'The Baloonists Prayer,' believed to have been adapted from an old Irish sailors' prayer.
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